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writing samples
Chapter in: The Sustainable Legacy of Agnès Varda: Feminist Practice and Pedagogy (Bloomsbury, 2022)
![Nadine Boljkovac. "She Listened: Vardian Self-Portraiture and Auto-Refrains of Sea, Wind, and Sand" in Camera Obscura, eds Rebecca DeRoo and Homay King (36:1, May 2021 [106], Duke University Press): 61–85.](https://static.wixstatic.com/media/b22192_c1450facef90437780ac2fe944dd517c~mv2.jpg/v1/fill/w_1400,h_1400,fp_0.61_0.19,q_90,enc_avif,quality_auto/b22192_c1450facef90437780ac2fe944dd517c~mv2.jpg)
Article in: "Future Varda," Camera Obscura (36:1, May 2021 [#106], Duke University Press)
Chapter in: The Anthem Handbook of Screen Theory (2018)
Co-Editor, and Article in: Materialising Absence in Film and Media (2018)
Chapter in: Revisiting Style in Literary and Cultural Studies: Interdisciplinary Articulations (Peter Lang, 2020)
"La Jetée," Studies in European Cinema (2019)
Monograph chapter: "From Depths and Ashes" (an exploration of Alain Resnais' HIROSHIMA MON AMOUR) in Untimely Affects: Gilles Deleuze and an Ethics of Cinema (Edinburgh University Press, 2013; paperback 2015)
Monograph chapter: "Signs Without Name" (an exploration of Chris Marker's SANS SOLEIL) in Untimely Affects: Gilles Deleuze and an Ethics of Cinema (EUP 2013; paperback 2015)
Monograph chapter: "Of Scars, Smiles and Past-Future Signs" (an exploration of Chris Marker's CHAT PERCHÉS) in Untimely Affects: Gilles Deleuze and an Ethics of Cinema (EUP 2013; paperback 2015)
Chapter in: Gilles Deleuze: Image and Text (Continuum, 2009)
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